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ALL OF THE RELEASES ON THIS PAGE RULED, BUT THEY ARE NOW TOTALLY SOLD OUT.  ALL HOPE, HOWEVER, IS NOT LOST.  ALL THESE AWESOME STORES AND DISTRIBUTORS CARRY ARBOR JAMS, MANY OF WHICH ARE SOLD OUT FROM ME.  PEEK AROUND OR EMAIL FOR SPECIFIC HELP.

REVOLVER / MIDHEAVEN
FORCED EXPOSURE
TIME-LAG
GILGONGO
TOMENTOSA
RELEASE THE BATS
DNT
VOLCANIC TONGUE
ECLIPSE
HANSON
FUSETRON
RRR
MOTOR AND FAMINE
AQUARIUS
MEU DIA DE MORTE
MOLEHILL
RECKLESS
ALT. VINYL
GOLDEN AGE
PRINTED MATTER
HOSPITAL PRODUCTIONS


ARBOR01 VARIOUS ARTISTS- "ARBOR" CDR W/ ART BOOK

01. ice age- the sneaky pines 02. maasedun- hannu karjalainen 03.NEON- the futurians 04. middle- bagelsandcreamchesse 05. waves- e*rock 06. laffy taffy- treetops 07. dust march- raccoo-oo-oon 08. suite for magna choda burrito and poon tycoon, magnum hign five- gastric female reflex 09. light feelings- horsehead 10. three stems- joe+n 11. sanibel- the goslings 12. the upstairs room(the cure)- ethelscull 13. vegan pagan regan- silver daggers 14. coma toes- robedoor 15. wire-tap-tapping- barrabarracuda 16. killer (rad) bees- haunted castle 17. river of muck- loopool this has been in the works for just about ten months now. it is finally ready for you and yours to listen to and enjoi. a wide range of music from some of the raddest bands around. this thing has carpal tunell inducing construction featuring a 24 page handsewn book littered with glu-stiked art from the contributing artists. filled to the brim with something like 1 hour 19 minutes at 33 seconds of music. limited to 200 copies on sticky sprayed cd-rs.

ARBOR02 ROBEDOOR- "GREY GATES" 3" CDR

the icy cold l.a. weather brings creepy crawly sounds that creep with trachea scarring drones and crawl with wind riddled blasts of noise. oh yeah, there is some drums in there too. this record has been too long in the making, but is worth the wait (unlike xmen3). this shit rules. it will have your body moving in some sort of awkward tribalism from the past. this is not very harsh, as in, i dont imagine britt needing lozenges after recording this, though i dont think a cup of tea would hurt. the brass acts like those vortex rooms at the local hanuted house that twist you around, but on for seconds until you can get a grasp on reality. man this band rules, this is total airplane music. windy, flight capable vocals and ambience, with turbulent, ready to rock thibal percussion. let this record take you somewhere this summer. sprayed covers crocheted to those plastic 3" sleeves. everything is purple with a little bit of frost bite.

ARBOR03 TREETOPS- "SANDY FLOORS" 3" CDR  

suburban boredom and weeks waiting for compilation submissions were the main factors for this albums conception. armed with a guitar autographed by "the" bruce springsteen, a synthesizer, drums, and a four track, a kid sat down at a desk and began to record sounds. he wished that his friends could be there so that he didnt have to do everything, by himself, but they live in the city and wouldnt hop on a metra train to get out to him. this is a tribal entry into suburbia. when all the kids were getting guitar lessons, a young treetops was busy jamming screwdrivers into the fret board like thurston moore. forest drones from the basement. field recordings from the park. vocal damage and keyboard waltz. what album would be complete without cynical song titles to make you "lol"? limited to 50 copies, comes mounted on cardboard with the treetops logo stencil'd on the front.

ARBOR04 LOOPOOL- "USELESS UNLESS" CDR

jean-paul garnier does it again. this ever changing artists comes at us with a lagrely vocal oriented album. free rock guitar jams and synth explorations. sewer pipe drones with beutifully placed vocals. this is another album that has been in the works for far too long, but it is finally here for you to hear. every song sounds differents as this urban chamelon of an artist approaches new terrain. some of these songs totally rock(in the rock and roll type of way), some of these songsrock(in the garage punk type of way), and some of these songs rock(in the noise drone type of way). these lyrics are there to make you think. think about your friends and think about the world. the lyrics are collected in a scrawled out sheet which folded up fits like a nice book in the purple clam shell case. the clam shell case is then put in a full color sike-out drawn custom envelope. in a numbered edition of 50 copies.

ARBOR05 HAUNTED CASTLE- "VOID LAKE" CDR
 

This is the debut full length by Detroit's Haunted Castle. These are the first recordings from the infamous Half-Crypt (which was recently vacated due to frequent car break-ins and mail stealing). At the time these tracks were recorded the basement had black mold hanging from the ceilings in some areas. It turned out that that shit was totally toxic and needed to be removed pronto. There is heavy black mold influence running through these tracks. Abrasive and lo-fi drones that sound like they are seeping from swamped out electronics. Vocals heavy like elephant calls coupled crunching guitar and molded basement ambience. There are even a few fist pumping moments! Guaranteed to be an instant classic. In a numbered edition of 100 copies in hallucinogenic tripped out linen bags and cardstock sleeves screened by Jelle Crama.

    ARBOR06 WARMTH- "DEATH AS A YOUNG CHILD" C20
       

After months of attempting to acquire the final (now lost) tour recordings of Roxanne Jean Police (RIP), Steev Thompson presents his most recent incarnation, Warmth. Fresh out of a Brian Wilson-esque disappearance Steev brings deep visceral layers of synth and electronics that churn and grow. Clouds of fog envelope the tones emanating from Michigan’s forgotten forests. This tape acts as the precursor to the upcoming Warmth LP co-released by Arbor and Double Fantasy. In a numbered edition of 90 tapes in sprayed paste-on manilla envelopes.

           

ARBOR08 FRENCH QUARTER- "OVERPASSING" CDR
   

The best thing about Arizona is either that it is warm(like very warm), but not humid or the burgeoning music scenes centered around the Phoenix/Tempe area. With shows going on multiple nights a week at places like Trunkspace and Modified Arts, how could a dude not be totally inspired? Stephen Steinbrink aka French Quarter is a Phoenix, AZ desert dweller with a guitar and some friends. He writes songs that will bring back the feelings of hearing that Neil Young bootleg tape in your cousin’s car for the first time. He is joined by a cast of talented Arizonans from bands such as Tent City and Soft Shoulder. The tracks are wonderfully orchestrated by Steinbrink featuring a never ending array of instrumentation. New LP forthcoming on Gilgongo Records(of Tempe,AZ). In a numbered edition of 100 copies with gold stamped discs and trifold inserts in two color silkscreened chipboard arigato pack.

     
ARBOR09 THE DEAD WHITE- "HOLY DEPRIVATION" CDR  
         

Dead White is a one-man dream team comprised of drone maker/dreamscaper, Andy Brack. Whirling loops of sound bounce off of the walls this dude creates with his voice and guitar. Too many muted fire alarms must blare through Andy’s hallway while he is snoozing. Three tracks and just short of forty minutes, this recording splatters the sound canvas with aural landscapes; evoking images of really big bird cages and sacred Tibetan caves. Comes in six color silkscreened fold out posters by Belgian wizard Jelle Crama. Keep (dead) noise alive(in an edition of 130).

       
ARBOR10 COLE MILLER- "NO STRANGERS" CDR

A slight detour from the recent noisy releases on arbor brings us to Cole Milner’s newest pop gem. Cole Milner a man of many names such as Cole Miller, Cole Miller Island, Sneakypines, I Love You, and many other names following the “C.M. (insert place here)” formula. Cole writes pop songs in Menlo Park, CA similar to those of the Pacific Northwest dudes. He’s toured with everybody from Seattle and Portland and is a really cool guy, and also totally nice. Sometimes he has a moustache. Sometimes he uses a drum machine. This album features some instrumental help from the brother, but other then that it’s all Cole. Campfire songs, bossanova songs, and dance songs. All about love and fear and stuff like that. Packaged in a paper bag with paste on and an insert by Cole. In a numbered edition of 100.

ARBOR11 TENT/CITY CDR

Past the desert smoke and arid dust trails of Arizona lies an Oasis of broken folk. Occupied by Tent/City, this area is like a river of creativity and blessed drones. Six artful dwellers armed with instruments ranging from pots and pans to synths and guitars, pianos and flutes, have the perfect recipe for clattery commune psych. Taken out of their natural habitat and thrown into the studio they offer these five tracks to the coyote spirit. The first three tracks act as studies focusing on different pairings of the featured instrumentation. This culminates in the fourth track, an epic 12 minute long jam full of rotted synth, flute prayers, electric guitar with hints of the raccoon’s good blessing, all over a foundation of unwavering percussion. In an edition of 90 triangle stickered cd-rs with an insert all in a hand sewn paisley pouch complete with button clasp.

ARBOR12 HORSE HEAD- "BIRDS AND BEES" C36

if you were like millions of americans, you spent your weekday nights glued to the edge of your seat watching lost. a stockpile of these horse head tapes were found at in the bottom of "the hatch". horse head sounds like early animal collective circa here comes the indian. in fact these are three teens from orange county california utilizing field recordings and pretty guitar strumming to take you into the forest. put this tape in your walkman, and close your eyes. you will be instantly "chilled out". primal drumming keeps you steadily in place. before you know it, thirty six minutes have passed, you open your eyes and youre on the subway, and in fact, not sitting under an aurora borealis tree. if you cant go on a vacation this summer, at least buy this tape so you can pretend for over half an hour that you are in another place. in an edition of 100 with green tapes in brown paper sacks with an insert and a pine branch(makes the package smell great when you open it).

ARBOR13 SLEEPING BABIES- "BENEATH THE BLOOD MOON" C20

What is love? Love is… making eerie jams with your honey. This recently relocated BF/GF duo drop their first release on arbor. Creepy organ drones and hypo-hypnotic percussion carry your ears. Howls of a wolf in heat to the blood moon. Ritual dreams realized through vocal drones. Totally organic. Featuring members of Quilts. Limited to 50 numbered copies with art by the band and tapes salvaged from the swamp; stamped with a blood moon

ARBOR14 HORSE HEAD- "MAKE IT SOMETHING ELSE" CDR

I remember when the Zelda game came out for N64. I was all over that shit, but then forgot about it and never beat it. The thing I do remember is the sweet soundtrack it had. So-cal sunshine kids Horse Head have inadvertently recreated the sounds of the ocarina of time with guitars, drums, and voice. Past releases are hints of songs, these are “songs”. Lyrics with all the joys and unjoys of being a human. Psych-pop for the kids. Down tempo tribal beats. Their most song based release yet(ever?). Upcoming album on Not Not Fun. In hand crafted/sewn cardstock pocket folders with conch shell stamped discs in an edition of 50.

ARBOR15 SHEPHERDS- "ACID BATH" C20

The acid drenched guitar hymns on this tape, seem to come from somewhere other then Brooklyn. It sounds like an escape from the city. The sounds contained within still feature the rhythm and busy-ness of the city, but sound as though they were recorded on an old tape deck in the woods, or the shed in the woods behind the cabin in the woods. It is only fitting that members of Shepherds come from groups such as Meneguar, Woods, Non-Horse, and Wooden Wand and the Vanishing Voice. It features the same "drop everything and make music" vibe that those other projects produce. Perfect hearthside tape to keep you warm as those metropolitan winters are approaching. Features super nice silkscreened art by Shawn Reed of Raccoo-oo-oon with copper rusted tapes. In a numbered edition of 100 copies.

ARBOR16 FOSSILS/WAVES- "GHETTO PRIMATIVE" CDR

Crumbling latitudes form a sonic bridge connecting Hamilton, Ontario and ypsi, Michigan. Recorded at the peak of canaduh's summer, the fossils half of this split stinks of the melted ghetto blaster thistrack was recorded on. The whole things chugs along at a super slow-mo rate giving the whole track a gotham city sewer system field recording vibe. Waves is john olson of American tapes, wolf eyes, dead machines, and just about every other rad unit out there. Here he comes in surfing on a sonic torrent of sirens crashing like the waves and bringing the seashells onto the shore. Wavesss second track sounds like the distress call of a submarine crashed on the ocean floor being heard through dolphin ears. In a numbered edition of 100 with slim cases slathered in a whole bunch of paint, but actually ends up looking super slick.

ARBOR17 AXOLOTL / INCA ORE- SPLIT 7"

Karl Bauer and Eva Saelens (Axolotl and Inca Ore respectively) are two like minded Bay area psychers operating on two opposing levels. Axolotl marks the A side with skyward streaking drones and ethereal loops tinged and focused, ringing with the joyous bliss of upward passage.  An endless array of vocals, electronics, and violin looping and looping, building and growing: stasis.  Inca Ore makes her craft from an Earth bound level.  Oneness with her surroundings, roots firmly planted.  Eerie incantations and meandering harp play foreground to layer upon layer of looped vocals and murky ambience, charting your way towards forever.  In an edition of 450 white purity colored 7”s in black and white pro-printed collage fold-over sleeves by Eva with a numbered insert.

ARBOR18 GANG WIZARD- "FOR THE MAN TRAPPED INSIDE A MAN" 3" CDR

Summer is over dude. Bummer. Lots of left over Popsicle sticks and melted jams and memories of the pool are what remain. I guess that you can still have all that shit in Sun Valley, CA, but not in the Midwest. It’s getting cold now, but that’s beside the point. Gang Wizard gets together all the time and records the hardcore hang out sessions. Every time they are done we are left with a sweet document like this one. Totally rad dudes, in totally rad moods, creating totally rad tunes. Disjointed guitar jingles and all over the place drumming create a cacophony of positivity. Total Happiness from members of Foot Village, Rose For Bohdan, Dynasty, and Unicorn Hard-on. Released for their fall 2006 NW tour in a numbered edition of 75 neon drenched popsicle-sticked canvases.

 
ARBOR19 BINGES- "RETURN TO WHATEVER" CDR

Binges are a hometown favorite here in Chicago. Up until this point their music has existed to the public in one form: the live set. For the benefit of those outside of Chicago, the duo, comprised of drummer Chris Robert and guitar/bass/drum/mic/tape dude Anthony Decanini, recently teamed up with Midwestern Raccoo-oo-oon to cover the west coast with their syncopated improvisations. It is only fitting that their first release be made up of live material(recorded to DAT tape and mastered with the utmost care). Decanini creates a vast number of growing and receding loops from his guitar, bass, contact mic, tapes, and other sources which act as the perfect foil to Robert’s percussion(a serious thing to behold). It isn’t so much one person acting as the leader as much as the two creating an absolute sonic union of sounds blurring the line between free jazz and noise. In an edition of 200 screened CDRs in screened sleeves.

ARBOR20/NNF091 BLACK MONK- "FLOWSTONE" LP

Flowstoned and dethroned, finally. Last year’s bored/burning summer spell of Eagle Rock entropy birthed a numb drum ‘n drones duo dubbed Black Monk. The aesthetic of inept, free-punk drumming and red-eyed, void-surfing low-end infinity found output on two micro-limited cassette releases (one on Buried Valley, one on Zac/Lambsbread’s Maim & Disfigure) and one weedian live show (in Tempe, AZ) and then the scholars split to separate coasts. Fortunately for us/you, Flowstone comes crawling outta the caverns of a babeless summer on a slab of black wax, collecting their out-of-print Murmur CS and half the V CS, plus an unreleased side-long wastoid-land of subterranean percussion and roaring magma. Just in time for 2012. Black vinyl LPs in stark pro-printed fold-over covers plus a poster of arcane team scribble by BM. Limited to 270. Co-released with Not Not Fun.

ARBOR21 EMPTY VESSEL- "A WORLD OF DEW" C12
           

Ah man, you know that feeling when you wake up early in the morning and walk out hazy-eyed into the hazy world to pick up the newspaper? It’s a trip. Empty Vessel is Roy Tatum of Quintana Roo, Changeling, Black Monk, etc. Electronics sweating with overdrive. Transcending the aural spectrum with a dew inducing haze of harsh drones. The ebb and flow of a confined stream; tranquility turned up to 11. In an edition of 100 numbered copies.

ARBOR22 WATERSPORTS W/ AARON ROSENBLUM- "MORE" C20

If a tape should ever be described using the word “submerged” it is this one. Watersports is the Brooklyn duo of Russ Waterhouse and Lea Cho, who in the same configuration also make up Blues Control. The A side begins with “submerged” bubble sounds mastered from the inside of an aquarium. The serene scene ebbs and flows until shimmering keyboards pierce the murk like sun into the blimey deep. On the B side the duo is joined by Aaron Rosenblum of Son Of Earth/Sapat. This track is keyboard heavy from the start with what seems like all three of the players weaving sounds through each others keyboarding. A glorious and shimmering overtone blurs reality. Howling flutes act as sea creatures in crisis. If you put the shell up to your ear and concentrate you can hear Rosenblum totally shredding. In an edition of 100 numbered tapes in oversized double sided collaged tape cases.

ARBOR23 FUTURIANS- "JAWHOL YOKO!" C60

I was first introduced to these New Zealand shredders through the 267 Finland dudes. NZs finest rock the boat, baby, with some of the dirtiest surf rock from either side of the equator. This tape compiles live tracks and other odds and ends from barnacle encrusted clubs. Rock and Roll with tsunami force breaks everything in its path except for the party. Recent shred out on Foxy Digitalis and Last Visible Dog. Cover art by Thomas Bernard on transparent paper with totally hand made tape labels. In an edition of 50.

ARBOR24 WIGWAM / ODD CLOUDS SPLIT C32 + 3" CDR

Long before the Ford Motor Co. ruled over Michigan, Plains Indians would chill out and ride wooly mammoths everywhere. Then the mammoths hit the pits, and Henry Ford created the car, ever since then the state has been clogged with smog. Odd Clouds (Rep-ing MI labels Fag Tapes and Tasty Soil) create a cacophony of tribal electric jamming. Loud and mean; a group improv cave jam going back to the basics and just kicking it. Wigwam (of Kalamazoo's Tapeworm Tapes) creates a maize field of drones only to light it on fire, and burn it to the ground so that it can be reused later. War horns streak through the desolation of bass drum onslaught. Comes with a 3" of additional oil slick sludge rock from the Odd Clouds cave. In an edition of 100 copies in oversized tape case with double sided full color art(front by Heath Moerland of OC; inside by Miles Haney of WW), sprayed/stamped tapes, individually water colored 3” sleeves, the works.

ARBOR25 DOOR- "DESTROY ALL" C30

New Jersey is like the gloomiest place in the country. Daniel La Porte (aka Door) tries to rep the 732's as gloomy as possible. The dude's jams are like an onslaught of machine smog; a march through grey streets. Door rips through the air with the hypnotic and concrete progression of a helicopter. A close dude of the Nautical Almanac crew, Door has the similarly sparse but tortured vocals emanating every once and a while through the clink-clanking of the machine hum and mixer destruction. Featuring art by Daniel on minimally stamped tapes in a numbered edition of 100 copies.

ARBOR26 CJA- "WEDDING BAND" C20

Dunedin captain of the Futurians has been busting music for years. Being a coconspirator of the Davenport Family(twice removed) everything is recorded. The A side is a soirée into guitar minimalism. Samples, delay, electricity. The B side brings it all back home. Folk songs for Dunedin porch singing, campfire or living room exhibition. Songs about life and living(but then again, what music isn’t?). Comes in hand dyed bags garnished with an “I do” ring on red/gold passion/wealth tapes with an insert. Til death do us part(in an edition of 50 copies).

ARBOR27 QUILTS- "LIGHT HORN" C22

Shimmer shining strips of sound float through the sky. The light horn is calling. Organ sprawls covered in pit-er-pat percussion. This is the kind of music that you create in your head when you are sitting on the park bench and rearranging the memories of the sounds going around you. Except it is better and it is recorded. Earth drones make dreamy lullabies. These dudes have releases coming out all over the place including a split tape with Quintana Roo on Dnt, as well as a recent release on a new incarnation of imvated, cauliflower dreams. Limited to 50 numbered copies with orient smoke dream art on jade tapes.

ARBOR29 GHOSTING- "LIVE/OAKLAND+" C40

This Portland drone duo manages to create lengthy tracks with a psychedelic precision that makes you forget what time is/was/will be.  This tape contains a track from a live show in Oakland with bustling airy drones and the dinging of bells luring the ears to go to places they have not been before.  The track progresses thoughtfully with exact subtleties building to a climax only to come tumbling down with that exact progression.  The B-side is a deja-vu conjugated burner starting where the other side ended.  In a numbered edition of 100 copies with individually inked and sprayed tape labels in a silver sprayed case and ink drawn cloudscapes.

ARBOR30 ROBEDOOR + HAUNTED CASTLE- "NAMELESS RACE" 1 SIDED LP 
         

Summertime is all about transcending space and going on tour with your buds. How could a tour alliance be more buddy buddy than that of LA’s Robedoor and Detroit’s Haunted Castle? Britt, Alex, Dan, and Suzzette traversed the west coast with the goal of pacification by sonic means. This collaboration was recorded in studio with a bunch of mics in Davis, CA. Robedoor blankets Haunted Castle’s abrasive drones with meditative tones. The recording is held together by the bass drum’s rhythmic p(e)ace. In a numbered edition of 300 copies with pro printed fold over poster art and printed labels by Jeremy Earl of Fuck It Tapes and an insert by Britt.

ARBOR31 FAMILY BATTLE SNAKE- "BRAIN FRIED ETERNALLY" CDR

Family Battle Snake is totally cerebral. Dense drones creep and evolve slowly but surely with every pace. The mechanical hums and vocal hymns are interwoven with enough horns and mic'd clatter to fill every nook of your room leaving nothing untouched. Once again, a loud release, but still very soothing. Completely submerged. In a numbered edition of 90 Cdrs in stamped/sprayed custom digipacks.

ARBOR32 POCAHAUNTED- "NATIVE SEDUCTION" 3"CDR

Recording? Compact disc? Before the arrival of the white man to the new world, these two tribal sisters would chill out, harvest grains, and participate in drum circles while creating smoke signals. The white man introduced the electric guitar and microphone as well as recording technology. The girls turned in their primitive gear to go analog! Vocal chants for a good harvest. Guitar strums coupled with bass drum dreams to protect oneself from the evil spirits. Backed behind a teepee of protective electronic hum. All is good. In two color silk-screened sleeves with splattered disc dot/ enchanted feather print keeping the cd in its place, all tucked in a plastic sleeve. In a numbered edition of 100 copies.

ARBOR33 TREETOPS / VILLA VALLEY SPLIT C40

The suburbs can be kinda weird. Villa Valley and Treetops both come from the highly forested sub-urban areas of Detroit and Chicago, respectively. Villa Valley occupy the A side with teeth bared. Tape manipulations, contact mic-ery, and feedback create a cacophony at times boarding on full out free jazz (Midwestern style of course). This is what Wolf Eyes sounded like before they had double picture discs pressed in editions of 1000(not like that’s a bad thing, though). Treetops is Mike Pollard (of Arbor); Guitar incantations float around the highest peaks of forgotten mounts. Fuzzed out pyschedelia; primitive percussion and subtle vocal drones occasionally emanate through the haze. In a numbered edition of 100 tapes in sprayed purple cases with art by Ola Vasiljeva.

ARBOR34 BIRDS OF DELAY- "LIVE FROM MIND AVALANCE" C25

Beneath the mounds of tape loops, keyboard mysticism, and vocal séance rests the human forms of Luke Younger and Steven Warwick aka Birds Of Delay. “Live From Mind Avalanche” is a particularly deep work. It sounds as though it was recorded live on the wing of a flying plane or at the top of some epicly huge mountain in India. Frozen delays and deprived electronics ache for freedom from desolate captivity. Drowned static screeching into an abyss of grey tumbles down the side of a snow slicked slope. Icy smoke envelops whatever remains. In a numbered edition of 90 sprayed/stamped tapes with art by the band.

ARBOR35 ROBEDOOR / YELLOW SWANS- SPLIT 7"

It’s about time that two of the West Coast’s best units share a slab of vinyl together. This is an epic coupling. LA’s Robedoor (an obvious Arbor favorite) present what might be their best work yet, “Tremor Deliverance”. Synths and subdued vocals weave together into an ornamental sound tapestry with heavy Middle Eastern influence. Total satyagraha. Portland’s Yellow Swans are constantly touring (just now embarking on a multi-month European jaunt) and spreading the word of sonic liberation. Their untitled piece is a wall of sound, totally alive and growing, infinitely large. In an edition of 500 copies with printed labels and silkscreened art by Shawn Reed of Raccoo-oo-oon.

ARBOR36 CHANGELING / QUETZOLCOATL- SPLIT C20

Scientists say that sound travels better through water and rocks than it does through air. LA’s Changeling and Dublin, Ireland’s Quetzocoatl challenge these scientists. In a split tape of international proportions, airy loftiness and spiritual mist-icism play the key roles. Changeling’s guitar-centric drones become one with the ambience of the mist surrounding them. Quetzocoatl uses a multitude of instruments and delay to build a drone which floats across the sky next to the birds. Each piece ends too soon, almost evaporating into the clouds from which they were born on a constant migratory path to rad. In a numbered edition of 100 tapes in sprayed/screened/stamped linen bags with art/insert by Roy Tatum(aka Changeling).

ARBOR37 COLE MILNER- "COOL MILNER" CDR

Cole is back and this time on a ton of labels (different versions of this album will be on Stop Drop, Marriage, Paw Dawns, and Arbor). The entertainer extraordinaire brings his playful melodies and clever rhyming in attempts to cheer you up and maybe make you dance a little. Cole sings song about how much he loves you, as in, this wasn’t recorded with his girlfriend in mind, but actually you! Very similar to the more recent playfulness shown by Adrian Orange and Calvin Johnson; totally positive and uplifting. This is a much more cohesive album than Cole’s previous Arbor release, “No Strangers.” In a numbered edition of 50 copies in sewn/stamped sleeves with stamped discs.

                

ARBOR38 MELEE- "VIOLENT FORMS OF LAUGHTER PT. 2" C30
               

If there were noise bands in the roaring twenties, they would sound just like this. Melee creates creaky drones with traditional jazz instruments. The percussion sounds like rain and rakes scraping against the wall(if the wall were a giant snare drum). The cello strings squeal sending chills up the spine. The trumpet cuts through basement asbestos fog choked under concentration. The whole mess progresses almost cinematically, totally full of suspense. Features members of Graveyards. Pt. 1 forthcoming on Meu Dia De Morte label out of Germany. In a numbered edition of 100 in sprayed tape cases with paste-on cover and printed/painted tape labels.

ARBOR39 BOBB BRUNO- "WHITE LOVERS DREAM HOUSE" C26

I saw Bobb open for Wilco(yeah, that Wilco) last Thanksgiving in the biggest auditorium in Chicago; like orchestra/opera shit. He came out in a full body bunny costume, sat down at a drum pad and created some of the heaviest synthetic beats I've ever heard using samples, a drum pad, and some pedals for about 10 minutes. Needless to say it ruled. You probably know Bobb as that guy in Goliath Bird Eater, Polar Goldie Cats, Knit Witch et al. If not for that then you know him for his recording wizardry which he employs on rad S.LA acts such as Silver Daggers, Mika Miko, Robedoor, Abe Vigoda, Quintana Roo, Hello Astronaut Goodby Television and probably a billion more. Here he creates two side long ethereal skyscapes of Technicolor synth work. Somewhere between Boards of Canada and Kevin Shields' (MBV) solo work from Lost in Translation. In a numbered edition of 100 tapes with printed/ stamped tape labels and full color double sided marker/photo collage sleeves.

ARBOR40 SARAH'S CHARITY- "CODE OF RED TWIN" CDR

Among the metal forests of Denmark, there is Sarah’s Charity. A maelstrom of expert tone work and free electricity; sounds so electric, yet still reminiscent of the flowing natural growth of fellow Danes Family Underground (it should be noted that Nicolas of FU helps out on track 2). This naturalism plus the actual sterility create a feeling nothing short of psychedelic. A wall of intense oscillation and soothing vacuous space ala Marcia Bassett’s various projects. Speaking of Marcia, SC is also famed for being the only non Bassett/Bower related project to be released on the esteemed Heavy Blossom label. In a numbered edition of 150 copies in absolutely beautiful mind tripping deluxe screened sleeves by Dylan Martorell, with screened discs and an insert.

ARBOR41 WARMTH LP

Even though Warmth main man Steev Thompson still appears to be incommunicado totally epic recordings continue to surface. Before Roxanne Jean Police was officially over and Steev still lived in Chicago, he joined up with another then Chicago resident Branden Diven of Quilts/American Grizzly Records. The jams that were created filled a couple of cdrs and the Warmth side of the split with Quintana Roo on Not Not Fun. This LP consists of a remixed and edited version of the original cdr running at just under 45 minutes. Forgotten smog floats through a Northside basement. Sounds emanate but their source is totally unrecognizable. Quiet growing tonal blobs erupt into washes of aural color. A complete union of samplers, synths, vocals, guitar, organs, percussion, and electronics merge to create the sounds contained within; a loss of individual existence. Completely serene. In an edition of 300 LPs on creamy yellow vinyl with hand stamped labels in pro-printed and screened fold over sleeves with art by Roy Tatum and an insert by Steev.

ARBOR42 KEVIN SHIELDS- "CAVITY FEVER" C28

Kevin Shields(aka Eva Aguila), resident Deathbomb Arc go-to-girl and craft fair fabric wizard with her own label Hate State, is undoubtedly the harsh noise queen of the West Coast. Whether it be her collaborations with Brian Miller, her jamming in Gang Wizard, or her solo work, she is always painting from her own sonic spectrum of harsh tones and brutal waves of distortion. “Cavity Fever” is heavy on keyboard/organ sounds, a new direction for KS, which are seamlessly crocheted with tape manipulations, microphone feedback, and expert tone work. Brutally beautiful sunshine-electric jams. In a numbered edition of 100 sprayed tapes with mind melt art by George Myers.

ARBOR43 SHEARING PINX / SILVER DAGGERS- SPLIT 7"

Time to tell all the ’77 dudes to get hip to the ’07 sound. Vancouver’s Shearing Pinx and Los Angeles’ Silver Daggers are North America’s ambassadors for the new wave of skronk/thrash/post-whatever punk. The Pinx play angular, expertly timed, staccato waves of noise and punk. Two long songs sandwiching one short one in typical Pinx fashion. The Daggers (experts of interpreting animal sounds w/ regular rock instruments) create utterly epic art-punk jams complete with swirling synths and horns based around solid drumming and guitar/bass interplay. One track was recorded live at The Smell, coming complete with mosh philosophies, while the second track recalls David Byrne’s “boombox experiments” circa Stop Making Sense. Be sure to check out their new record on Load! In an edition of 400 numbered copies on concrete grey vinyl w/ hand stamped labels in 2 color silkscreen cardstock sleeves and a long insert.

ARBOR45 MEF TEEF / OWL XOUNDS EXPLODING GALAXY- SPLIT C40

Pure energy and total expression are the only boundaries around the free-jazz/music movement. Primitivism and psychedelic confusion act as the main themes. Mef Teef of Iowa City, a relatively new collective, have one past release on Raccoo-oo-oon’s Night People Label (of which MT percussionist Andy Spore is a member). Spastic drumming acts as the basis for which brass, piano, and silence interweave. Culled from a hometown live session, “Dark Star Voyage Pt. 1” features unique instrumental interplay causing the piece to progress almost theatrically with definitive mood changes. Brooklyn’s Owl Xounds Exploding Galaxy is a heavy hitter in the free jazz underground. Comparisons to avant-garde greats are not unjustified. With a recent LP out on Wooden Wand’s Mad Monk label and a plethora of sold out self released jams, this is the collectives first tape. Focused on the youthful energy of punk music and centered around the drumming of Adam Kriney (La Otracina, Castanets), in “Transmission To The Pineapple Universe”, Owl Xounds produce pure blown out oblivion never faltering in its onward progression. Recorded live at the Cakeshop featuring Gene Janas on upright bass, Darius Jones on alto sax, and Greg Vegas on electric guitar the jam is a total freak-out, seething equally with nods to Sonny Simmons as it is to Sonic Youth. In a numbered edition of 100 tapes with printed labels, art and an insert by Andy Spore.

ARBOR47 BARK HAZE- "MACANNABIS" C30

Somewhere the gods of psych are smiling. Gazing down on this Northeastern all-star unit, just feeling the music. Bark Haze is comprised of Andrew Macgregor (aka Gown), Thurston Moore (of Sonic Youth), and on this recording Pete Nolan (of Magik Markers). Gown and Moore’s dual guitars and in constant conversation. There must be a psychic barrier between these dudes minds, nothing sounds forced, only ever flowing. Nolan keeps the time with militant precision acting as the foil for guitar development. A thirty-minute track recorded around the same time as All Tomorrow’s Parties last winter stretched across two sides of the tape. Infinite psyched out oblivion like a more sober Lambsbread. In a numbered edition of 200 copies with double sided red eyed tree art and tape labels by Maya Miller of Heavy Tapes/Religious Knives.

ARBOR48 SOFT SHOULDER- "UNTITLED" CDR

Tempe, Arizona is a creative hotspot over run with positive youth and a supportive community. Soft Shoulder is the in house posi-punk band comprised of James, James, and Ashley of the clatter crew Tent City. On this release they turn in their catchy hooks and traditional structure for two 15+ minute improvised pieces that fall somewhere between TC and Graveyards. Total washed out summertime drones for the punk dudes or sunshine thrash for the noise dudes. In an edition of 100 numbered copies with stamped discs and an insert within a cardstock print bound with neon nineties nylon bracelets.

 
ARBOR49 VILLA VALLEY- "ACCUSED BREASTS" CDR

Being Michigan house party mainstays and touring/real life buddies of Haunted Castle, Villa Valley, prepare to fuzz out you frontal lobe with their magnum opus. Tracking in at just under an hour in total length, two really long tracks fill up this disc with metal scrapes, vacuous howls, and a new element, toy keyboards. These tracks are much more restrained than their previous output showing a definite direction and focus, most particularly the second track, which could arguably have a chorus and refrain. Subdued keyboards add a new layer to the murky manipulations and feedback howling for which VV is known. Make sure to catch these dudes on tour with Drenches this June. In an edition of 80 sprayed/stamped discs with medical book collage art by the band.

ARBOR50 EMERALDS / QUINTANA ROO- "BUBBLE QUIET COMPLICATION / BEHEADED DYNASTY" LP

Blessed waves of beautiful sounds build and decay into perfect pieces of music. From opposing locations and opposing approaches to drone, Ohio’s Emeralds and LA’s Quintana Roo juxtapose themselves with skillful perfection. Emeralds’ epic synth composition “Bubble Quiet Complication” marks the acts first vinyl appearance, and possibly heaviest work to date. A tribute to the sine waves of 70s, this massive grower oscillates and progresses completely discretely; impossible to follow and completely transcendental. Bass heavy subsonic patterns work their way underneath the beauty, completely proving and reinforcing this bands recent acclaim. Quintana Roo (comprised of members of Robedoor, Pocahaunted, and Changeling et al.) take a more natural/native approach to their craft. A massive horn blasts marks a call to arms on “Beheaded Dynasty”. Twinkling chimes and electric textures help paint a natural base. Hand drums start the onward march to oblivion, met along the way by a blessed to infinity bass line building to an organic overload. In a numbered edition of 450 emerald green LPs with printed labels and proprinted cardboard jackets with an insert all from the psyched psyche of Devon Varmega.

ARBOR51 TREETOPS / CYGNUS- SPLIT C21

At it’s purest recorded music is two things: basements and one track recorders. Treetops and Cygnus are a complimentary pair of basement sludge psychers armed with little more than a few effect pedals(no distortion?!). The Treetops track is a grower and coming in at just under 10 minutes one of the longer Treetops jams to date. Light guitar strumming, tape manipulations and the occasional incantation are the sole sources for “Wild Beauty”. Sky bound riffs float through the storm clouds. This track is a companion piece to the upcoming Ecstatic Peace tape, “In The Vanilla Grove/ Man and Horse”. Cygnus is the guitar/keyboard duo of Heath Moerland(Sick Llama/Fag Tapes) and his friend Glen. Heath and Glen use slow flanged strumming and haunted house keyboards all progressing at a slow-ed down pace. The second track starts out with some fuzzed heavy riffage and keyboard overload while progressively deconstructing itself to two guitars; a totally zoned out “I forgot we we’re recording” style gem. Much more chill then their previous blown out shred fests. In a numbered edition of 100 sprayed/stamped tapes in red youth stickered poly cases.

ARBOR53 AJILVSGA- "SACRED ARROW" C44

Bleak. Landscapes harvested for consumption and distribution. Where is the ancestral spirit? Oklahoman duo Ajilvsga, comprised of Brad Rose and Nathan Young, recall the forgotten sorrows of the Cherokee with synthesizer. Deep and slow moving, just like the nomadic herd, Rose and Young’s primitive drones weave in and out of consciousness, transcending time. Sheer rock cliffs cannot contain the war whoops and tribal tension of the epic seventeen-minute B side track, “Fire Builder”. Make sure to keep your eyes on the horizons for upcoming signals from Not Not Fun, American Grizzly, and native imprint, Digitalis. In an edition of 100 labeled tapes with double sided full color art and sprayed cases.

ARBOR54 TRAUM- "BUILT FOR NOTHING" 1 SIDED LP

Suburban Michigan is a breeding ground where every weirdo has a label, a band, and a handful of secret/under the radar collaborative projects. Here Graveyard’s Ben Hall and Lambsbread’s Zac Davis create a monolithic one sider influenced by too many private press jazz records and abstract instrumentalism. Davis turns in his effect pedals for nothing; pure clean tones plucked up and down scales and bridges so uniquely that it is easy to confuse the guitar for a sax. Ben Hall drums like a man with four arms; constant rattling trap tapping and assorted pots and pans clattering, flowing completely smoothly. A perfect union of sound. In an edition of 300 copies in screened chipboard sleeves by Anthony Decanini.

ARBOR56 LILYPAD- "TWIN HOLES" 2x3" CDR

Emerald’s Big John is the synth guru behind the illustrious Lilypad. Immense decay and epic clarity. Just when you think that the tone has stagnated, another hole of hi-end oscillation materializes. Constantly progressing to the next level of blissed out forgetfulness. Soft and comforting, yet possessing the ability to completely entrance the listener into a state of loneliness; the first disc has the abductive quality to be over before it even starts. A multi tiered synthetic existence of pure desolation and beauty. The second disc is a masterpiece of stereo panning, with a focused separation between left and right, going beyond the normal dimensions of time and space. Meant to be played loud and alone to truly grasp the solo solidarity and self-contemplating tones. Growing louder and heavier to the pinnacle of reverse deprivation. In typical Lilypad infoless anonymous styled packaging, in this case a mind bending ‘witchbox’ by visual cat lover, Witchbeam with an 11”x17” color poster insert in an edition of 50 copies.

ARBOR57 EVAN MILLER / GOWN- SPLIT C20

The power is out. The power is back. This tape juxtaposes two expert guitarists against each other on the natural A/B boundaries of the cassette medium. Iowa’s own Evan Miller creates long drifting ragas (or as he like to call them, spells) of acoustic guitar work akin to contemporaries such as Fahey and Rose, but strays from their “minstrel in the country” vibe and going more towards “a fisherman on the wharf” style. Even though there are no words, the emotion and story of his songs are obvious. “Specter” was recorded during a storm adding an ominous atmospheric quality to the meandering spell. On the flip side, Gown creates sky high electric guitar drones similar to his work in Bark Haze, but his presence in the solo setting adds a particularly nice clarity to his work; much less of an overload leaving more time to really soak into the jam. “Pigeon Church” is one of his first recordings since leaving his internship at Ecstatic Peace and moving up to rural Maccan, Nova Scotia. In a numbered edition of 100 tapes in 3 color silkscreened sleeves with tape labels and an insert.

ARBOR61 / JK28 WIDENING HORIZON C17

Just when you thought all was about to fade to grey an epic expanse of orange, blue, and a phenomenon known as the “green glow” blinds you. The rolling hills seem endless, maybe they are(who really knows). At this moment of severe spatial reconsideration dual guitar drones, one electric, one acoustic, seem to rise up from the ground right under your feet. The contents of this tape are organic/communal compositions of guitar, sampler, synth, recorder, and percussion. The flow of consciousness is ever flowing/never slowing(at least for 17 minutes). The first in a series of coreleased tapes (w/ bro label jk tapes)featuring Treetops+Laissez-Faire. Horizontally oriented jams for an up and down kind of world. In a numbered edition of 40 tapes in full color double sided wraparound styled j-cards and sealed with a sticker.

ARBOR62 TIME LIFE- "I AM JUST TO MYSELF" C43

By now this duo should be far from a mystery though their psychic audio mythos has been continually deepening, growing, and transcending. Comprised of Vanishing Voice members G. Lucas Crane(Non-Horse) and Heidi Diehl, these New Yorkers flee the trappings of the fashion capital of the world for the land of home grown psychedelia. Non-Horse plays a crate of cassette tapes and a chain of delay. Wrapping sounds from various sources into a concocted aural remedy from reality, a psychedelic blanket sheltering you from the outside world. Heidi lends her voice and dripping dream guitar work to the powers at hand, juxtaposing heavy bass with light whispers and shimmering strings with deep murmurs. On the B side fellow spirit forcer Steve Gunn of GHQ brings a new element to the group, percussion. A natural oneness is developed between all players, creating earth music with a deeply rooted sense of calmness and serenity. In an edition of 100 numbered tapes with printed labels.

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ARBOR63 TAIGA REMAINS- "THEREAFTER" C20

Alex Cobb’s Taiga Remains project pushes the exact opposite vibes as the name of his Students of Decay label. With use of nothing but guitar and pedals Cobb materializes lush and precise drones which seem to come directly out of the air. So heavy and powerful that they don’t even seem to exist, nor could they come from any instrument / human. Total peace and solitude; meditative Eastern vibes transcendent in and of themselves. The A side’s “Winter Tai-Tung” is a light and breezy trip through the mist, growing unconsciously, beyond notice until the track ends. The B side’s “Spring Shan-Lin-Shi” recalls visions ten seconds of prayer service slowed down and stretched into ten minutes, like the sound right after a bell rings hung in static forever. In an edition of 100 tapes in oversized plastic cases with an insert and printed labels.

ARBOR64 DRUIDS OF HUGE- "ERGOTISM / PURE HYPE" C20

Chicago trio Druids of Huge rock, roll, and destroy the modern concept of a rock band. With a name that screams “hooded gods of shred”, the resulting sounds can be quite refreshing. Percussionary styles can change at any moment from Sword Heaven-esque pummeling and crash destruction to light jazz splash/tom simmering. The guitar feeds back from a massive Sunn amp and rips its way through the basement, fists pumping and beers spilling. Suitcase electronics provide a warm and massive tonal base, erupting with its own existence. Rip it real good, bro. In a numbered edition of 50 sprayed/stamped tapes in cassingle style sleeves.

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ARBOR65 TUSCO TERROR- "PSYCHEDELIC NARCOSIS" CDR

Cleveland noiseniks, Tusco Terror, barrage the earth with their subterranean dirt worship. Having just released a split LP with Emeralds on Ecstatic Peace, this crew is ready to take their Midwestern gear slaughter beyond the realm of the breadbasket. Operating with a loose lineup usually ranging from 3-5 players all jamming in their own private zones, contributing their own part to the psychedelic nonsequitors and cosmic confusions contained within the recording. Pile upon pile of unrecognizable source contort themselves into an unrecognizable yet brutally intriguing end result. Don’t stop digging. In two editions: A( of 68 numbered copies in silkscreened, watercolored, and sewn sleeves with screened discs) and B (of 32 numbered copies in printed collage sleeves with screened discs).

ARBOR67 AVARUS- "KIRPPUJEN SAARI" LP

Long touted as the forefathers of Finnish freeform psychedlic music, Avarus, a collective bearing members from The Anaksimadros, Kemialliset Ystävät, Maniacs Dream, and more, document their first tour of the United States on "Kirppujen Saari". The sounds contained show a departure and growth from typical Avarus recordings. The A side long track begins with a psychrock romper complete with full “band” instrumentation, slowly it deconstructs itself into the abstract electric/acoustic stylings and sonic spattering familiar to their previous work. Slowness builds into full on clatter filled wal